AN ARAB OASIS BY ALBERT PASINI FROM THE COLLECTION OF HUGH J. GRANT AND LUCIE MACKEY GRANT ACHIEVES $194,500 AT DOYLE NEW YORK'S NOVEMBER 11, 2009 SALE OF EUROPEAN ART

Felix Ziem's View of the Grand Canal in Venice Fetches $74,500

Strong International Bidding Throughout the Sale

On November 11, 2009, Doyle New York held an auction of European Art. The sale showcased works by a wide variety of prominent European artists of the 19th and 20th centuries. Featured in the sale was property from the Collection of Hugh J. Grant and Lucie Mackey Grant. The top lot of the sale was a view of an Arab Oasis, 1875 by Alberto Pasini from the Grant Collection, which fetched $194,500 amid competitive bidding. From the same collection was Felix Ziem s view of The Grand Canal in Venice, which achieved $74,500. With competitive international bidding from the salesroom, the telephones and the Internet, the sale totaled $807,463, within the pre-sale estimate of $640,800-1,037,200, with a strong 88% sold by lot and 91% sold by value.

NEXT AUCTION OF EUROPEAN ART
May 2010

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We invite you to have your property evaluated for possible consignment in the May 2010 European Art auction. For a complimentary evaluation, please contact: Elaine Banks Stainton, 212-427-4141, ext. 238, Paintings@DoyleNewYork.com

CATALOGUE
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A SELECTION OF AUCTION HIGHLIGHTS
The Hon. Hugh J. Grant (1858-1910)

Born to an Irish immigrant who became a successful real estate entrepreneur, Hugh J. Grant was orphaned at an early age. He was educated at Manhattan College then spent a year in Berlin. Back in New York, he studied at St. Francis Xavier College, then Columbia Law School, after which he went into private practice. In 1882 he entered public service and was elected to two terms as Alderman, then one term as Sheriff of New York County. With the backing of Tammany Hall, he was elected Mayor of New York at the age of 31, the youngest in the city’s history. He served two two-year terms as Mayor from 1889-1892, during which the city undertook a number of great public works projects, including the transfer of the city’s electrical cables underground. Grant would be the first mayor to appoint a “rapid Transit commission” in 1890 to develop a subway system. He ran unsuccessfully for mayor once more in 1894, after which he retired almost entirely from politics. He managed his sizable real estate interests from his West Side office, building a considerable fortune, and indulged in a favorite pastime, driving trotters in Central Park. In 1895 he married Julia Murphy, the daughter of U.S. Senator Edward Murphy, Jr.

Julia Murphy Grant (d. 1944)

Julia Murphy was one of nine children of Senator Edward Murphy, Jr. (1834-1911), the son of an Irish immigrant who established a successful brewery in Troy, New York. Educated at St. John’s College (Fordham University), Senator Murphy was active in local and state Democratic politics and was elected to the United States Senate from New York in 1893. During the Murphy family’s years in Washington, Julia was a popular debutante, receiving numerous invitations from the capital’s prominent hostesses, including Mrs. Grover Cleveland for events at the White House. It was in the Murphy’s grand home in Washington that she was wed to New York’s former Mayor Hugh J. Grant, who presented her with a diamond tiara and a country estate in Oradel, New Jersey. The Grants made their New York home in a stately 20-room townhouse at 20 East 72nd Street, where they raised their three children, Julia, Edna and Hugh J. Grant. The home was decorated with a marvelous collection of furniture and art, much of which is being offered in the May 6 auction. A devout Catholic, Mrs. Grant hired the Boston architecture firm of Maginnis & Walsh, who had worked on New York’s St. Patrick’s Cathedral, to install a private chapel in the home, with decorations by Tiffany Studios. After the death of Mayor Grant, Mrs. Grant generously provided the means for the establishment of Regis High School, a free Jesuit high school for the gifted and the less privileged. The Grant family continued anonymously supporting the school for many decades. .

Hugh J. Grant (1904-1981)

Hugh J. Grant grew up in affluence and privilege. Childhood photographs depict him with his two older sisters amid the luxurious trappings of the American Gilded Age elite. However, by all accounts, he was a man of simple pleasures and infinite generosity. He was educated at Fordham University and Columbia University School of Law. He served in World War II, then returned to the family home at 20 East 72nd Street, where he lived quietly with his two sisters, engaging in religious devotion, charitable works, and the practice of law. Among his numerous philanthropies were Regis High School, the Society of Jesus, the St. Vincent de Paul Society, the Little Sisters of the Poor, Manhattanville College, and the Archbishopric of New York, as well as the Metropolitan Museum of Art and other institutions. His quiet life changed in 1972, however, when he married the lively and popular Lucie Mackey.

Lucie Mackey Grant (1908-2007)

Lucie Mackey and her sisters Emmeline and Adele – nicknamed the Three Graces – led very social lives, enjoying summers in Maine, vacations in Florida, and voyages to Europe. Born to Mr. and Mrs. David C. Mackey of Plainfield, New Jersey, Lucie was educated at Hartridge School followed by Smith College. In 1934 she married the charming and handsome Reginald H. Rollinson, and they moved to New York, where Reggie worked in advertising. A popular and attractive couple, the Rollinsons enjoyed a wide circle of friends in New York and the Hamptons. Unfortunately, their happiness came to an untimely end with the sudden death of Mr. Rollinson in 1959. Beginning a new life for herself, Lucie enrolled in the New York School of Interior Design and later established the decorating firm of Rollinson and Lawhorn with her friend Lee Lawhorn.   In 1972 Lucie married Hugh J. Grant, who was still living in the Grant family home. Daunted by the thought of living in such a formal home with a staff of five servants, she prevailed upon Hugh to begin their life together in a spacious apartment only two blocks away at 141 East 72nd Street. Using many of the elegant pieces in the Grant family collection, Lucie transformed the ten-room apartment into a stylish mis en scène for the many lively gatherings and parties the couple would host. With the historic Grant family home now vacant, Hugh made the decision to donate it to the Archbishopric of New York in 1975. Hugh passed away in 1981, providing generously in his will for numerous charities. Lucie continued that legacy of philanthropy until she died on December 18, 2007, just short of her 100th birthday.



Lot 19
Alberto Pasini
Italian, 1826-1899
Arab Oasis, 1875  
Signed A. Pasini and dated 1875 (ll)
Oil on canvas
28 3/4 x 23 7/8 inches (73 x 60.8 cm)
Provenance:
Arthur Tooth & Sons, New York, no. 40498
Purchased from the above by the Honorable Hugh J. Grant, February 21, 1901
Thence by descent in the family to the present owner
The Collection of Hugh J. Grant and Lucie Mackey Grant
Sold for $194,500
 
Alberto Pasini was born near Parma, where he studied painting at the Academy of Fine Arts before moving to Paris in 1851. There, he worked in the studio of Theodore Chasseriau, and also made the acquaintance of a number of French artists, including Eugene Fromentin, Jules Dupré and Theodore Rousseau, who strongly influenced the development of his meticulous technique.
 
In 1855, recommended by Chasseriau, Pasini was asked to accompany and document a French diplomatic mission to Persia. This expedition, which took him not only to Persia, but also to Egypt, Turkey, and the Arabian Peninsula, was a turning point for the young artist. The sights and sounds of the regions he had visited led him to embark on a career as a painter of Middle Eastern subjects. The 1855 trip would be the first of many, not only to the Middle East, but to Greece, Spain and Armenia as well, expanding Pasini's repertoire to include scenes of everyday life in those countries as well.
 
Orientalist painting was in great vogue throughout Europe in the 1850s and Pasini quickly enjoyed great success. One reason for his popularity was the remarkable sense of verisimilitude that his paintings convey. While many of his contemporaries composed their works in the studio using written descriptions, book illustrations, and artfully arranged props, Pasini drew on his voluminous sketchbooks and myriad firsthand experiences, which give his paintings an unmistakable ring of authenticity.
 
Pasini's technique combines careful draftsmanship, subtlety of color, and above all, an uncanny exactitude of descriptive detail. His views of Middle Eastern courtyards, markets, and mosques are almost miraculous evocations of polished surfaces-marble inlays, metalwork, glazed ceramic-contrasted with the coarser textures of leather, wool cloth, wood and rough stone. An Arab Encampment is a classic example of Pasini's treatment of a desert subject, with its wonderfully acute depiction of the rugged cliffs, the mist rising above the water, the coarse robes of the men, and the shiny coats of the horses.


Lot 13
Felix Ziem
French, 1821-1911
The Grand Canal  
Signed Ziem (lr)
Oil on cradled panel
28 1/8 x 36 1/4 inches (71.5 x 92 cm)
Provenance:
Arthur Tooth & Sons, New York
Purchased from the above by the Honorable Hugh J. Grant, February 17, 1899
Thence by descent in the family to the present owner
The Collection of Hugh J. Grant and Lucie Mackey Grant
Sold for $74,500


Lot 10
Theodore Rousseau
French, 1812-1867
Twilight, circa 1850  
Signed T.H. Rousseau (lr)
Oil on cradled panel
16 7/16 x 24 7/8 inches (41.7 x 63.2 cm)
Provenance:
Collection of Henry Vever
Durand-Ruel, Paris, no. 1508
Collection of Van Praet, Brussels
Collection of Garnier, Paris
Garnier Sale, Galerie Georges Petit, Paris, December 30, 1894, lot 73
Sale of H. S. Henry Collection, American Art Association, New York, January 25, 1907, lot 27
Purchased by J. Montgomery and the Honorable Hugh J. Grant on the above date
Collection of the Honorable Hugh J. Grant, Mayor of New York, 1889-1892
Thence by descent in the family to the present owner
Literature:
Michael Shulman, Theodore Rousseau, Catalogue raisonne de l'oeuvre peint, Paris, 1999, p. 217, no. 357, illus.
A copy of the original receipt and the original sale catalogue pages from the American Art Association accompany this lot.
The Collection of Hugh J. Grant and Lucie Mackey Grant
Sold for $68,500
 



Lot 24
Fritz Thaulow
Norwegian, 1847-1906
River Arques, Dieppe, 1898  
Signed Fritz Thaulow and dated Dieppe 98 (lr)
Oil on canvas
21 5/8 x 25 13/16 inches (55 x 65.5 cm)
Provenance:
M. Knoedler & Co., New York
Charles S. Phillips, New York, acquired from the above February 4, 1902 on behalf of The Honorable Hugh J. Grant, who then acquired the painting from the above on April 28, 1902
Thence by descent in the family to the present owner
The Collection of Hugh J. Grant and Lucie Mackey Grant
Sold for $28,125

PROPERTY FROM OTHER ESTATES AND COLLECTIONS

Lot 41
Stepan Feodorovich Kolesnikov
Russian, 1879-1955
Village Scene with Women Fetching Water, 1929  
Signed S. Kolesnikov and dated 1929 (lr)
Oil on canvas
34 x 39 3/8 inches (86.4 x 100 cm)
Sold for $59,375



Lot 45
Mane-Katz
Ukranian/French, 1894-1962
Tuba Player  
Signed Mane-Katz (lr)
Oil on canvas
39 3/8 x 28 15/16 inches (100 x 73.5 cm)
Provenance:
The Yurika Gallery, Tel Aviv/New York, acquired directly from the artist
Private collection, New York, acquired from the above September 13, 1989
Exhibited:
Venezuela, Museo de Bellas Artes (possibly)
The Estate of Murial Lewis
Sold for $50,000



Lot 42
Nicolai Ivanovich Fechin
Russian, 1881-1955
Portrait of Mr. Korona  
Oil on canvas
28 x 22 inches (71.1 x 56 cm)
Unframed
Provenance:
The estate of the artist, circa 1956
Acquired by the present owner from the above
Literature:
Harold McCracken, Nicolai Fechin, New York, Hammer Galleries, 1961, no. 35, illus.
Sold for $37,500